Public Transit
30 images
shot on Hasselblad X2D 100C, 90mm f/2.5 medium format, depicting a serene bus stop surrounded by lush greenery on a rainy day. Rain droplets are visible on the glass shelter, reflecting soft ambient light from streetlamps. The image employs a shallow depth of field, allowing the foreground to be crisp while the background melts into a soft blur of trees. Color grading focuses on natural muted tones, emphasizing the calming atmosphere. Composition centers the bus stop, framing the scene with wet foliage enhancing the tranquil mood.
3:4
captured with Fujifilm GFX 100S, 110mm f/2 macro, showcasing a close-up of a well-worn metro map spread over a textured wooden bench, with metro tickets and an old compass laid out nearby. The scene is illuminated with soft, diffused daylight filtering through the station’s windows. The depth of field is shallow, isolating the map while creating a painterly bokeh. The color science leans towards natural muted tones, emphasizing the aged paper and wood grain. Composition centers on the map as the primary subject, with leading lines from the tickets guiding the viewer's gaze.
1:1
shot on Sony A7R V with 85mm f/1.4 GM lens, depicting a cyclist waiting at a bustling city bus station, framed by modern glass architecture. The scene is lit by dramatic late-afternoon sunlight casting elongated shadows. A shallow depth of field at f/1.4 gives a creamy bokeh effect to the glass facade while keeping the cyclist sharp. The color palette features natural muted tones and splashes of urban color. Composition highlights the cyclist as the focal point, with leading lines formed by the bus station's structure directing attention.
4:3
captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, featuring a vintage tram gliding through a picturesque European street. The scene is bathed in warm, golden hour light that enhances the historical charm of the surroundings. The image employs hyperfocal distance, bringing both the tram and the cobblestone street into clear focus. With a color palette inspired by Kodak Portra 400, skin tones and soft highlights are inviting. The composition follows the rule of thirds, positioning the tram to the right of the frame, flanked by quaint cafés and flowers.
3:2
shot on Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, capturing a busy urban subway station during rush hour with vibrant neon signage reflecting on polished tile floors. The scene is illuminated by overhead LED lights, casting cool white tones. Shallow depth of field at f/2.8 blurs the background, focusing on a diverse group of commuters in mid-conversation. The color palette features contrasts of deep blues and warm yellows, emphasizing the energy of city life. Composition utilizes leading lines of the railway tracks directing the viewer's eye into the scene.
16:9
Fujifilm GFX 100S, 110mm f/2 macro, focusing on a close-up of a bicycle rack in a serene park during early morning light. The soft morning dew glistens on the metal surfaces while golden hour casts a gentle glow. A shallow depth of field isolates the bicycles, turning them into art pieces against a backdrop of lush greenery with soft bokeh. The color palette combines lush greens with gentle golds, evoking tranquility. The composition is a centered shot with a slight angle, inviting viewers to appreciate the harmony of public transit and nature.
16:9
Hasselblad X2D 100C, 90mm f/2.5 medium format, showcasing a vintage tram passing through a picturesque city street in the golden hour light, casting warm highlights on the historic buildings. The depth of field is hyperfocal, ensuring everything from the vibrant tram to the cobblestone road is sharp. The color palette is inspired by Kodak Portra 400, with warm earth tones and creamy highlights. The composition balances the tram centered in the frame with leading lines of the street guiding the viewer’s eye.
16:9
Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, capturing a busy bus stop during a rain shower with natural diffused light filtering through the clouds. A shallow depth of field highlights a group of passengers under colorful umbrellas, while the background fades into a soft blur reminiscent of watercolor. The color palette is rich with saturated colors reflecting off the wet pavement. The composition features a centered view of the bus and passengers, creating a narrative of connectivity amid weather.
16:9
captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, during a bustling midday in the subway with diffused overhead fluorescent lights providing even illumination. The hyperfocal depth of field provides clarity from the foreground to the back where the train arrives. Using a vibrant color palette of steel gray and bright yellow accents, the composition features leading lines of the escalator, drawing the eye toward the arrival of the train, with visible details on the metal and glass surfaces.
16:9
shot on Sony A7R V with 85mm f/1.4 GM lens, captured at twilight with warm streetlights illuminating the platform, shallow depth of field at f/1.4 creating a creamy bokeh behind the subject. The color palette features muted blues and golden highlights. The composition follows the rule of thirds with a lone commuter waiting, their silhouette framing the iconic train station architecture, showcasing weathered brick and steel textures. The scene conveys a tranquil yet hopeful ambiance as the last train approaches.
16:9
shot on Hasselblad X2D 100C, 90mm f/2.5 medium format, capturing a tranquil scene of a light rail tram gliding through a scenic park at dusk. The lighting is soft with ambient daylight fading, creating a serene yet dynamic atmosphere. The depth of field is set at f/4 with everything from foreground to background in focus. The color palette features soft pastel hues blending from oranges to deep blues. The composition uses leading lines of the tram tracks guiding the viewer’s gaze toward the horizon, with lush foliage framing the scene.
16:9
captured with Fujifilm GFX 100S, 110mm f/2 macro, showcasing a close-up of a bus schedule board at twilight. The scene is illuminated by a warm tungsten desk lamp, highlighting the texture of the printed paper and the sleek glass surface of the bus stop shelter. The depth of field is shallow, with soft bokeh in the background. The color palette combines muted blues and rich amber tones creating a cozy ambiance. The composition draws attention to the schedule with a centered symmetrical layout and clear details of the surrounding environment.
16:9
shot on Sony A7R V with 85mm f/1.4 GM lens, depicting a serene scene of a cyclist waiting at a bus stop on a sunny afternoon. The lighting is bright and golden hour backlighting creating warm rim light. The shallow depth of field at f/1.4 gives a creamy bokeh effect of the surrounding park. The color palette is vibrant with saturated greens and warm golden highlights. The composition employs rule of thirds, placing the cyclist to the left side, while a bouquet of flowers on the bus stop adds a cheerful detail.
16:9
captured with Nikon Z9, 70-200mm f/2.8 telephoto at 135mm. This photograph features a classic red double-decker bus passing through a picturesque London street bathed in soft, diffused daylight on an overcast day. The depth of field is hyperfocal at f/8, keeping everything sharp. The color science highlights natural muted tones with desaturated earth colors, giving a nostalgic feel. The composition centers the bus on the right third of the frame, with historic buildings framing the background for context.
16:9
shot on Canon EOS R5, 24-70mm f/2.8L at 35mm, showcasing an urban subway station during rush hour with warm practical lighting from overhead fixtures. The image captures a shallow depth of field at f/2.8, isolating a diverse group of commuters waiting on the platform. The color palette features muted greys and warm yellow tones, creating a bustling yet inviting atmosphere. Composition utilizes leading lines of the platform edges directing the eye toward the train approaching in the background, with textured concrete walls in view.
16:9
Fujifilm GFX 100S, 110mm f/2 macro, warm tungsten desk lamp casting directional pool of light on a table with a metro map and transit pass, hyperfocal distance for sharpness throughout at f/8, natural muted tones with desaturated earth colors, centered symmetrical composition highlighting the map and pass, textured paper of the map contrasted with the smooth plastic of the transit pass, a cup of coffee in the corner creating a cozy atmosphere
1:1
Hasselblad X2D 100C, 90mm f/2.5 medium format, morning dew droplets on bus stop sign catching light, dappled sunlight filtering through leafy trees, shallow depth of field at f/2.5 with soft bokeh, Fujifilm Velvia-inspired saturated colors with vibrant greens and warm yellows, rule of thirds with the bus sign positioned at a power point, organic textures of the natural environment contrasted with the clean metal of the bus sign
3:2
Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, neon signage reflecting blue and magenta on wet pavement during rain, selective focus on a man in a trench coat, cinematic teal and orange color grading, centered symmetrical composition with the man framed in the foreground, slick asphalt with raindrops creating a reflective mirror effect, as the man waits for the next tram, umbrella in hand
16:9
shot on Sony A7R V with 85mm f/1.4 GM lens, overcast diffused daylight filtering through a city bus window, hyperfocal distance — everything from foreground to infinity tack-sharp at f/8, natural muted tones with desaturated earth colors, leading lines drawing the eye along the bus aisle, the plastic and metal textures of the bus seats caught in soft light, an elderly woman gazing out the window lost in thought
4:3
captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, golden hour backlighting with warm rim light and soft fill from a reflector, shallow depth of field at f/2.8 with creamy bokeh of the train station, cinematic teal and orange color grading, rule of thirds with a train arriving on the left power point, weathered concrete platform showing cracks and textures, a group of commuters anxiously watching as the train approaches
16:9
Fujifilm GFX 100S, 110mm f/2 macro, presenting a close-up of a well-worn bus ticket resting on a rustic wooden bench at a bus stop. Soft natural light from above creates subtle highlights and shadows on the ticket's textured surface. A shallow depth of field at f/2 blurs the background, emphasizing intricate details of the ticket, including its creases and colors. The image showcases a Fuji Velvia-inspired saturated color palette with rich reds and greens, enhancing the tactile nature of the paper. The composition is tightly framed, allowing the viewer to appreciate the details of everyday life.
1:1
Hasselblad X2D 100C, 90mm f/2.5 medium format shot capturing a bicycle rack outside a busy subway station in the early morning. Overcast diffused daylight softens the shadows, highlighting the glossy finish of bright bicycles against the muted backdrop of the cement station. Hyperfocal distance at f/8 ensures clarity across the scene, emphasizing the detail in the bicycles and surrounding environment. The natural muted tones bring a calmness to the morning rush. A centered symmetrical composition provides balance, while the texture of the bicycles contrasts with the rough concrete.
16:9
shot on Sony A7R V with 85mm f/1.4 GM lens, capturing a crowded tram interior filled with diverse passengers engaged in various activities. Soft fill lighting from overhead fixtures creates a warm ambiance, casting subtle reflections off polished metal handles. Shallow depth of field at f/2 isolates a young woman reading a book, with a gentle bokeh effect bringing focus to her expression. The muted color palette features warm earth tones, underscoring the cozy yet busy atmosphere. A symmetrical composition centers on the woman, while the framing of the surrounding passengers adds context to the scene.
16:9
captured with Nikon Z9, 70-200mm f/2.8 telephoto at 135mm during a golden hour sunset. The image features a bus stop on a quiet street surrounded by trees, with warm sunlight filtering through leaves, creating an ethereal glow. Hyperfocal distance at f/8 ensures clarity from the foreground to the distant buildings. The warm, natural palette includes soft oranges and greens, enhancing the serene atmosphere of the scene. Rule of thirds places the bus stop at a power point, inviting a sense of calm and anticipation.
16:9
shot on Canon EOS R5, 24-70mm f/2.8L at 35mm, captured during rush hour with neon-lit city streets reflecting in puddles. The scene is illuminated by dynamic street lighting and the headlights of passing vehicles, creating a bustling urban atmosphere. Shallow depth of field at f/2.8 emphasizes a solitary subway entrance, with creamy bokeh shaping the busy background. The cinematic teal and orange color grading enhances the vibrant city life mood. Leading lines of the sidewalk draw the eye towards the entrance, with weathered concrete showing texture against the polished glass of the buildings.
16:9
Hasselblad X2D 100C, 90mm f/2.5 medium format, capturing a vibrant city bus navigating through a rain-soaked street, overcast diffused daylight creating a soft even light, hyperfocal distance at f/8 ensuring clarity from foreground puddles to the background cityscape, Fujifilm Velvia-inspired saturated colors emphasizing the rich hues of the bus and reflections in the water, leading lines of the street draw the viewer’s eye toward the bus.
16:9
Fujifilm GFX 100S, 110mm f/2 macro, close-up of a bus ticket on a vibrant patterned fabric seat, soft window light creating gentle highlights on the ticket’s surface, shallow depth of field at f/2 creating a dreamy bokeh of surrounding colors, Kodak Portra 400 color palette enhancing warm hues and soft shadows, the composition draws the eye to the ticket details while the background fabric adds interest.
1:1
Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, capturing the action of a bustling subway station illuminated by fluorescent lights, selective focus on a young woman checking her phone while the background swirls with commuters, natural skin texture rendered sharply against the motion, cinematic teal and orange color grading enhances the energy of the environment, leading lines of the platform guide the eye toward the subject.
16:9
shot on Sony A7R V with 85mm f/1.4 GM lens, bright morning light filtering through the bus windows creating a warm atmosphere, hyperfocal distance at f/8 ensuring sharpness from foreground passengers to the background, natural muted tones with desaturated earth colors reflecting the morning ambiance, centered symmetrical composition of a bus interior featuring diverse passengers engaged in conversation, textures of fabric seats and the metallic poles in focus.
16:9
captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, underwarm tungsten streetlight casting a soft glow, shallow depth of field at f/2.8 focusing on the bus driver’s face while rendering the cityscape softly blurred, cinematic teal and orange color grading enhances the urban night vibe, rule of thirds composition with the bus in motion towards the right, texture of wet pavement reflecting the warm light and city lights in the background.
16:9