Cycling

Leica Q3, 28mm f/1.7 Summilux, dappled sunlight filtering through tree canopy creating bokeh highlights, selective focus on the cyclist with background melting softly, Fujifilm Velvia-inspired saturated colors with deep greens and bright colors, composition framed to highlight the cyclist moving through a lush park, accentuating both the sense of speed and the environment.

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Fujifilm GFX 100S, 110mm f/2 macro, warm tungsten desk lamp casting directional pool of light, shallow depth of field with creamy background bokeh, natural muted tones with desaturated colors focusing on the intricate details of the bike and gear, centered symmetrical composition highlighting the bicycle against a rustic wooden surface with visible grain and texture.

1:1

Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, three-point studio setup with key softbox at 45°, butterfly lighting directly above for dramatic effect, selective focus on cyclist’s eyes, background melting into soft painterly bokeh, cinematic teal and orange color grading emphasizing the cyclist's vibrant gear and the details of their expression.

3:4

shot on Sony A7R V with 85mm f/1.4 GM lens, overcast diffused daylight through tree canopy, hyperfocal distance — everything from foreground to infinity tack-sharp at f/8, natural muted tones with desaturated earth colors, composition utilizing leading lines of the path guiding the eye towards the cyclist, revealing detailed textures of the cyclist’s jersey and the gravelly path beneath the tires.

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captured with Canon EOS R5, 24-70mm f/2.8L at 50mm, golden hour backlighting with warm rim light and soft fill from a reflector, shallow depth of field at f/2.8 with creamy bokeh, Kodak Portra 400 color palette — warm tones with lifted shadows, composition featuring the cyclist in the left third of the frame against a blurred sunset background, natural skin texture with visible pores and a focused expression as they push forward on a winding road.

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Hasselblad X2D 100C, 90mm f/2.5 medium format, vibrant golden hour backlighting highlighting a cyclist on a scenic hilltop, shallow depth of field at f/2.5 creating a dreamy bokeh effect with sunset colors, Fujifilm Velvia-inspired saturated colors emphasizing rich oranges and deep blues, foreground framing with grass blades leading to the cyclist, textured grass with dew reflecting the golden light.

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Fujifilm GFX 100S, 110mm f/2 macro, soft window light spilling into a cozy indoor cycling studio, hyperfocal distance ensuring sharpness in both foreground and background, natural muted tones showcasing warm wood and soft upholstery, rule of thirds composition with a stationary bike and a water bottle elegantly arranged, visible fabric texture on the bike seat and dust particles catching the light.

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Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, warm tungsten light from street lamps illuminating a night cycling event, selective focus on the cyclist's eyes with a soft painterly bokeh of colorful city lights, cinematic teal and orange color grading for dramatic effect, leading lines created by the road drawing the eye to the cyclist in the foreground, pavement texture reflecting the glow of surrounding lights.

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shot on Sony A7R V with 85mm f/1.4 GM lens, dramatic morning light casting long shadows on a cycling path, hyperfocal distance ensuring sharpness from foreground to background, Kodak Portra 400 color palette emphasizing warm skin tones and creamy highlights, centered symmetrical composition showcasing a cyclist in bright gear, asphalt texture with visible tire marks and pebbles.

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captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, dynamic lighting with overcast diffused daylight filtering through trees, shallow depth of field at f/2.8 highlighting a cyclist in motion, natural muted tones with desaturated earth colors, rule of thirds with the cyclist positioned at the left power point, dirt path textured with gravel and fallen leaves, background blurring into a soft green bokeh.

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shot on Hasselblad X2D 100C, 90mm f/2.5 medium format, depicting a group of cyclists ascending a mountain trail at dusk. The ambient light casts a cool blue hue across the scene, with the setting sun creating a vibrant orange and pink gradient in the sky. Depth of field is hyperfocal at f/8, ensuring both the cyclists and the rugged terrain are sharp. The color palette contrasts the cool shadows with warm highlights, enhancing the dramatic effect of the landscape. The composition uses a wide shot, capturing the cyclists’ challenge against the vastness of nature, with rocky paths and pine trees framing the scene.

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captured with Fujifilm GFX 100S, 110mm f/2 macro, showcasing a cyclist's bicycle adorned with intricate details and textures. The shot is taken in a sunlit garage, where warm ambient light accentuates the gloss of the paint and the metallic finish of the components. The depth of field is shallow at f/2, creating a dreamy bokeh effect that enhances the focus on the bike's features. The color science leans into natural muted tones, presenting a realistic feel. Compositionally, the bicycle is placed off-center, creating an engaging dynamic as the garage tools softly blend into the background.

4:3

shot on Sony A7R V with 85mm f/1.4 GM lens, capturing a close-up of a cyclist's hands gripping the handlebars of a racing bike. The soft studio light creates dramatic highlights and shadows, enhancing the texture of the cyclist's gloves and the polished metal of the bike. Depth of field is shallow at f/1.4, isolating the hands while blurring the background. The color science reflects warm skin tones against the cool metallic tones of the bike. The composition is centered, focusing on the physical connection between the cyclist and the machine. Textural details emphasize the tactile interaction between fabric and metal.

1:1

captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, featuring a cyclist in an urban setting during sunrise. The soft diffused light from the early morning creates subtle highlights, with a depth of field set to hyperfocal distance at f/8 allowing both the cyclist and the cityscape to be in sharp focus. The color palette is natural with muted tones and soft pastels of dawn. The composition follows the rule of thirds, featuring the cyclist approaching a busy intersection, framed by modern buildings reflecting the morning light. The textured asphalt contrasts with the smooth finish of the bicycle.

16:9

shot on Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, capturing a cyclist speeding through a lush forest trail during golden hour backlighting. The depth of field is shallow at f/2.8 to create a creamy bokeh effect, isolating the cyclist from the vivid greens and browns of the surroundings. The color palette features warm tones, infused with the golden hues of late afternoon light. Composition utilizes leading lines of the trail drawing the eye toward the cyclist, who is wearing a bright red jersey with dynamic motion captured in their posture. The texture of the rough trail contrasts with the smooth, sleek surface of the bicycle.

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Leica Q3, 28mm f/1.7 Summilux captures a dynamic cityscape with cyclists commuting during sunset. The lighting is rich golden hour backlighting with warm rim light illuminating the cyclists. Using shallow depth of field at f/1.7, the focus is on the cyclists while the cityscape becomes a soft, colorful backdrop. The color palette utilizes cinematic teal and orange grading, accentuating the warm tones of the sunset against the cool structures. The composition features leading lines created by the street and cycling lane, guiding the viewer's eye through the bustling scene.

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Fujifilm GFX 100S, 110mm f/2 macro captures a still life of cycling gear arranged on a textured wooden surface. The lighting is practical, featuring a warm tungsten desk lamp casting a soft directional light. Using shallow depth of field at f/2, focus sharpens on the intricate details of the gear, with a creamy bokeh background. The color palette reflects natural muted tones, showcasing the earthy colors of the gear against the wood. The composition uses rule of thirds, with the cycling helmet and gloves artfully arranged, creating a harmonious balance.

1:1

Nikon Z9, 70-200mm f/2.8 telephoto at 135mm captures a thrilling mountain biking scene on a rugged trail. The lighting is overcast diffused daylight, softening the colors and providing even illumination. Using hyperfocal distance at f/8 ensures everything from the foreground rocks to the distant trees is sharply in focus. The color science features Fujifilm Velvia-inspired saturated colors, accentuating the greens of the forest and the earthy browns of the trail. The composition employs leading lines to draw the eye toward the cyclist navigating the curves of the trail.

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Shot on Sony A7R V with 85mm f/1.4 GM lens, this image captures a close-up of a cyclist resting against their bike after a challenging ride. The lighting is dramatic, featuring warm tungsten light from a nearby lamp casting a golden glow. Using shallow depth of field at f/1.4, the focus is intensely on the cyclist, with the bike and background fading into a soft blur. The color palette uses Kodak Portra 400 tones, presenting warm skin and creamy highlights. The composition aligns with centered symmetry, emphasizing the subject’s expression of exhaustion yet satisfaction.

3:4

Captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, the scene features a cyclist speeding through a sunlit forest trail. The lighting is dappled sunlight filtering through tree canopy, casting dynamic patterns on the ground. Using shallow depth of field at f/2.8, the cyclist is sharply focused with a lush, blurred background. The color palette reflects natural muted tones with desaturated earth colors, enhancing the outdoor feel. The composition follows the rule of thirds, placing the cyclist at a power point, as the textured dirt trail trails behind them.

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captured with Leica Q3, 28mm f/1.7 Summilux lens, illuminated by vibrant neon lights reflecting off wet pavement during a night ride, shallow depth of field at f/1.7 focusing on the cyclist's expression of joy, rich, saturated colors with contrasting blues and magentas, dynamic composition featuring a diagonal line of the cyclist cutting through the frame, showcasing texture of rain-soaked asphalt.

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shot on Hasselblad X2D 100C, 90mm f/2.5 medium format lens, captured during dusk with dramatic backlighting creating silhouettes, shallow depth of field at f/2.5 with a painterly bokeh backdrop, cinematic teal and orange color grading emphasizing the contrast of the cyclist against the evening sky, rule of thirds composition with the cyclist positioned to the left, asphalt road texture creating reflections from the fading light.

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photographed with Fujifilm GFX 100S, 110mm f/2 macro lens, illuminated by a practical warm tungsten light creating soft shadows, shallow depth of field at f/2 producing a soft background blur, Kodak Portra 400 color palette enhancing warm skin tones and creamy highlights, centered symmetrical composition focused on a cyclist preparing their racing bike in a cozy garage setting with tools and bike parts featured in the background.

4:3

captured with Canon EOS R5, 24-70mm f/2.8L at 35mm, dramatic overcast daylight illuminating a busy urban street, hyperfocal distance at f/8 ensuring everything is sharp from foreground to infinity, natural muted tones with desaturated earth colors, leading lines of the city streets drawing the eye towards the cyclist in motion, asphalt texture revealing wear and tear.

16:9

shot on Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, captured during golden hour with warm backlighting and soft fill light, shallow depth of field at f/2.8 creating creamy bokeh around the cyclist, Fujifilm Velvia-inspired saturated colors with vibrant greens and blues, rule of thirds composition with the cyclist positioned on the right power point, foreground featuring lush grass with visible dew droplets catching light.

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Hasselblad X2D 100C, 90mm f/2.5 medium format, dappled sunlight filtering through tree canopy creating highlights on a forest trail, hyperfocal distance — everything from foreground to infinity tack-sharp at f/8, natural muted tones with desaturated earth colors, rule of thirds with cyclist descending a winding forest path.

16:9

Fujifilm GFX 100S, 110mm f/2 macro, warm tungsten desk lamp casting directional pool of light, shallow depth of field at f/2.5 highlighting bike components, Kodak Portra 400 color palette for warm skin tones and creamy highlights, centered composition focusing on intricate details of the bicycle with tools and parts scattered around.

1:1

shot on Sony A7R V with 85mm f/1.4 GM lens, neon signage reflecting blue and magenta on wet pavement, butterfly lighting with beauty dish directly above, selective focus on the cyclist's face while background melts into soft painterly bokeh, cinematic teal and orange color grading, leading lines drawing eye toward cyclist racing down a slick wet street at night.

16:9

captured with Nikon Z9, 70-200mm f/2.8 telephoto at 135mm, overcast diffused daylight through floor-to-ceiling windows, hyperfocal distance — everything from foreground to infinity tack-sharp at f/8, natural muted tones with desaturated earth colors, centered symmetrical composition with a cyclist and bike resting against a wall in an urban café.

4:3

shot on Canon EOS R5, 24-70mm f/2.8L at 35mm, golden hour backlighting with warm rim light and soft fill from a reflector, shallow depth of field at f/2.8 with creamy bokeh in background, Fujifilm Velvia-inspired saturated colors, rule of thirds with cyclist positioned at left power point, gravel path with visible tire tracks and dappled light filtering through trees.

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